Issue 10 | Issue 8/9 | Issue 7 | Issue 6 | Issue 5 | Issue 4 | Issue 3 | Issue 2 | Issue 1
Issue 1 / Spring 1999
George Quasha and Chuck Stein Cut to the Radical of Orientation: TWIN NOTES ON being in touch in Gary Hill's [Videosmatic] Installation, 'Cut Pipe'
Mary Lee Roberts As I Understand It: Group Psychology (Felix Guattari) and Technological Isolation (Electroacoustic Music Composition and the Unabomber)
Mary Lee Roberts 'Life Can Never Be Too Disorienting' (Guy Debord): Tracing the Situationists as Radical Lifestyle Improvisers, With Suggested Applications for Music Improvisers
Peter Monaghan A Conversation with John Butcher and Wally Shoup
John Rahn Composing and the Sense of Self
Arthur Margolin Epistemological Occasions
Benjamin Boretz Music, as a Music
Mark D. Nelson Enacting Process: Cage, Zen Buddhism, and Indeterminacy
Bill Brooks and Steve Key Down....Down....Down
Michael Missiras The Transformative Power of Film Music: Non-Diegetic Musical Considerations in the Film 'East of Eden'
Ken Morrison Toward the Creation of an Intelligent Machine Improvisor
Luke Howard The Voice(-Over) of God: Some Thoughts on the Disembodied Voice in Contemporary Music
Dick Higgins Two Scores (Published in Memorium)
Daniel Goode Three Scores, A Poem, and Two Short Essays
Tildy Bayar Having Time, Taking Time, Making Time: Notes on Three Musics
Mary Lee Roberts Living with 'music/consciousness/gender'
Ross Feller Ben's Utopian Time (An essay inspired by 'music/consciousness/gender')
Martin Goldray Listening to Jim Randall's 'GAP2GAP3GAP4GAP5'
Benjamin Boretz Wiska Radkiewicz's 60 Minute Exercise
Ross Feller A Review of Salvatore Martirano's 'O,O,O,O That Shakespeherian Rag'
Charles Stein Essay on Music (A Poem)
