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Issue 2 / Spring 2000

Robert Morris Cage Contemplating/Contemplating Cage
Tom Baker 'Conic Sections No. 1' by Evan Parker: Analysis for four readers
Jonathan D. Kramer Barney Childs
Steven D. Goodman Bad Timing, Bowles, and Between
George Quasha Axial Postings
______________ Preverb Posters
Kyle Gann Navigating the Infinite Web of Pitch Space
Robert Paredes Dangling Reflections on 'The Bewitched'
Tildy Bayar Dirt and Toothpaste, or, on the Problem of Being a Self in Modern Life (notes on Allan Kaprow)
______________ Some Notes on Some Pieces by Sara Roberts
______________ Gary Hill's Video Installation 'Circular Breathing'
David Crilly Wittgenstein, Music, and Language Games
Jon Radwan George Campbell and the Rhetoric of Art: Persuasion Through Music
Charles Kronengold Musical Constructions of Public and Private Space: The "Tender Force" of Soft Soul
Leslie Kearney Sad Songs and Sudden Danger, or, Marcia's Balls
Warren Burt Georgina Born: IRCAM, Boulez, and the Institutionalization of the Avant-Garde
Peter Monaghan A Conversation with George Lewis
George Quasha Blowing One's Own Bone, or Truth Shot Through Me Like A Whistle, She Said
Chris Mann And the question
Mary Lee Roberts Jim Randall's 'Intimacy'
Benjamin Boretz Notes for Open Space CD 10
Elaine Barkin Reexperiencing 'Language ,as a music' Revisited
Warren Burt Too Many New CDs (Mini Reviews)
Lydia Hamessley Audible Traces: Introductions
Tildy Bayar 'Not Before Seeing' Marc Applebaum's 'S-Tog for Sound Sculptures'
Eric Lyon Gordon Mumma
Ross Feller Strategic Defamiliarization: The Process of Difficulty in Brian Ferneyhough's Music
Larry Polansky Ensembles of Note / Neighborhoods of Note (2 scores)
Benjamin Boretz Reflections on Cardew and Wolpe: Vignettes of Old Masters I
Charles Stein The Hermit / Counter Seed / Seed Poems / A Note on The Hermit